These marble sculptures were made with traditional marble masons in Pietrasanta, Italy. They are partly inspired by the Elgin Marbles at the British Museum and other classical, fragmented or damaged classical statues such as the Venus de Milo at the Louvre. Neoclassical in appearance, they present images of 'incomplete' bodies, of people who have either lost limbs due to accident or who were born with a disability. By adopting the language of idealism, they relate to images of 'idealised' beauty that Neoclassicism sought to represent but also highlight the fact that while the notion of an incomplete body is something that is celebrated and acceptable within the context of art history, it is not always so in real life. These works explore the contradictions between our outside appearance and inner being, celebrating imperfection and the beauty of different kinds of bodies as well as the strength and vitality of the human spirit.